In Primal Current, form seems to emerge from an inner current — something alive that exists before thought and escapes every attempt at control. Colour moves through layers, deviations and sudden accelerations, creating a figure that continuously appears and dissolves.

Blues, turquoise, violet and green form a fluid mass, interrupted by warmer gestures that surface like sudden impulses. The large ochre curves extending beyond the central body do not contain the composition; they set it in motion, as though the energy of the work could no longer remain confined within its boundaries.

There is no precise identity to recognize, but rather a primordial presence to experience. Something connected to the most instinctive part of human existence, still free from definitions, roles and structures.

Primal Current captures the moment before we become a fixed form: when we are still movement, impulse and transformation.